Hilary Term 2026
Guide to all Italy-related events
In order to provide you with a useful guide, the following list comprises all events organised by ISO and other Italy-related associations:
— ITALIAN STUDIES AT OXFORD (ISO) —
http://www.italianstudies.ox.ac.uk
We are pleased to announce a conference on contemporary Italy, in memory of Professor Patrick McCarthy (1941-2007)
Italy as Bellwether
Politics, Culture, and Europe’s Futures
Thursday, 19 February 2026
at Pembroke College, Oxford in the Harold Lee Room
and online
Organised by Guido Bonsaver (Oxford), Aida Hozić (Florida), and Erik Jones (EUI)
Supported by ISO, Pembroke College, and the University of Florida
This conference honours the memory of Patrick McCarthy—Pembroke alumnus, Johns Hopkins SAIS Bologna professor, and a penetrating scholar of European politics, culture, and political economy. McCarthy's work cut across disciplines and genres, moving from literature to economics with a keen eye for liminal figures, the politics of sexuality and language, and the intersections of sport, culture, and power.
The contradictions of Italian politics, McCarthy demonstrated, repeatedly foreshadowed Europe’s future. Today, under Giorgia Meloni, Italy again stands at the centre of continental and transatlantic debates. By highlighting Italy in this bellwether role, the conference seeks to carry Patrick McCarthy’s insights into the present, asking what Italy’s trajectory reveals about the future of European democracy and its place in the Atlantic order.
Programme
13:30 – Arrival and registration
14:00 – Introductions: Guido Bonsaver, Aida Hozić, Erik Jones
14:30 – Culture and society roundtable (Guido Bonsaver, chair/discussant)
16:00 – Refreshment Break
16:30 – Politics roundtable (Aida Hozić, chair/discussant)
18:00 – Drinks reception
For more information or to join online, please write to italianstudies@area.ox.ac.uk.
— ITALIAN RESEARCH SEMINARS —
The Sub-Faculty of Italian’s Italian Research Seminars take place on Mondays at The Taylor Institution (Room 2) and via Teams. See the dates below for the timing of each session. Please e-mail italian.res-sem@mod-langs.ox.ac.uk if you have any questions!
Week 2 (26 January) — 12 PM
Luigi Pinton (Oxford), ‘Relationality without Empathy? Form, Translation, and Rewriting in Francesco Pacifico’s Class’
Week 3 (2 February) — 12 PM
Anca-Delia Moldovan (Warwick), ‘Piero Vettori and the Noble Art of Olive Growing: Botanical Knowledge as Environmental and Economic Strategy in Sixteenth-Century Tuscany’
Week 4 (9 February) — 12 PM
Eleonora Gallitelli (Udine), ‘The Italian Translations of T.S. Eliot’s Four Quartets (1944-2013): Appropriations, Rewritings and Reception’
Week 6 (23 February) — 12 PM
Becky Walker (Oxford), ‘The End of Ends: Elsa Morante and Eschatology’
Week 7 (2 March) — 12 PM
Elena Sottilotta (Cambridge), ‘Seeking Wonder in the Long Nineteenth Century: Women, Folklore and Fairy Tales from a Transnational Perspective’
Week 8 (9 March) — 5:15 PM
Lisa Sampson (UCL), ‘Theatre and cultural politics in the Academies of the Venetian Republic’
— EARLY MODERN ITALIAN WORLD SEMINAR SERIES —
This interdisciplinary seminar hosts papers and discussions about any aspect of Italian culture and society in the period 1400-1800. Seminars are held on Tuesdays at 4:30pm at St Edmund Hall. For more information, visit the seminar’s website at https://italianhistory.web.ox.ac.uk/early-modern-italian-seminar.
Week 1 (20 January)
St Edmund Hall, Old Dining Hall
Caroline Callard (EHESS, Paris), ‘Sovereignty, Spirituality, and the Subsoil in the Duchy of Savoy’
Week 3 (3 February)
St Edmund Hall, Old Dining Hall
Alexandros Hatzikiriakos (Sheffield), ‘Sonic identities and cohabitation in Venetian Crete (1453-1669)’
Week 5 (17 February)
St Edmund Hall, Old Dining Hall
Melissa Calaresu (Cambridge), ‘The Romes of Thomas Jones (1742-1803)’
Week 7 (3 March)
St Edmund Hall, Doctorow Hall
Monique O’Connell (Wake Forest), ‘Polyphony or Cacophony? Tumult and Order in the Political Culture of Venice’s Empire during the Italian Wars’
— EARLY MODERN WORLD SEMINAR —
Rector’s Drawing Room, Exeter College
Tuesdays, 2 – 3:30 PM
Week 2 (27 January)
Maartje van Gelder (Amsterdam), ‘Daily Bread: Thinking Comparatively about Food Protests, Social History, Gender, and Archival Politics’
— ENVIRONMENTAL HUMANITIES RESEARCH HUB —
Seminar Room 63, Schwarzman Centre for the Humanities
Thursdays, 12 – 1:30pm
Week 2 (29 January)
Andrew Matthews (UC Santa Cruz), ‘Shifting Landscapes and Shape Changing Trees: Political Geomorphologies of Pastoralism and Tree Care in Italy’
— KHALILI RESEARCH CENTRE SEMINARS —
KRC Lecture Room, Khalili Research Centre (3 St John St, Oxford OX1 2LG)
Thursdays, 5:15pm
Week 2 (29 January)
Federica Gigante (Oxford), Book Launch, ‘Islamic Objects in Seventeenth-Century Italy: Ferdinando Cospi, the Bologna Collection and the Medici Court’
— MODERN EUROPEAN HISTORY SEMINAR –
Room 20.402, Schwarzman Centre for the Humanities
Tuesdays, 5pm
Week 4 (10 February)
Ilaria Favretto (Kingston), ‘Revisiting Labour Protest: Cultures of Conflict and Italian Workers since 1945’
— ITALIAN FILM SEMINAR –
Oriel College (Various rooms; see below for details)
Thursdays, 6 – 9pm
Wearing Political Masculinity: Gian Maria Volonté in Postwar Italian Film
This film series studies the late Gian Maria Volonté, a chameleonic actor who became the face of the hyper-politicized Italian cinema of the 1960s and 1970s. In a remarkably short period of time (1967-76), Volonté matured his performances of gun-slinging spaghetti western villains into sophisticated portrayals of murderous police commissioners, reactionary journalists, progressive civil servants, naive provincial intellectuals, and cunning seasoned politicians. Absent Marcello Mastroianni’s Dolce Vita glamour or the pomp of commedia all’Italiana’s Vittorio Gassman, Volonté was a new kind of actor, embodying heroes and villains alike and expressing the political battles and social tensions that characterized postwar Italy. With this series, we reflect upon the socio-political transformations undergone by the bel paese after the Second World War and look to discuss the place that masculinity and its performance within the political world held within these changes. Volonté's most important roles, particularly in the oeuvre of Elio Petri, Marco Bellocchio, and Francesco Rosi, express Italian cinema’s dialogue with postwar, gendered civic engagement and with Italy’s evolving democratic structures.
Each screening will be in Italian with English subtitles and followed by a casual discussion. We welcome participation from colleagues across any faculty. Join the mailing list for regular updates.
For more information, please email the organisers: Angelica Rossi-Hawkins (angelica.rossi-hawkins@history.ox.ac.uk) or Cesare Vagge (cesare.vagge@nuffield.ox.ac.uk).
Week 2 (5 February)
Macgregor Room
Indagine su un cittadino al di sopra di ogni sospetto / Investigation of a citizen above suspicion
Elio Petri, 1970
Week 3 (12 February)
Macgregor Room
La classe operaia va in paradiso / The working class goes to heaven
Elio Petri, 1971
Week 4 (19 February)
Macgregor Room
Sbatti il mostro in prima pagina / Slap the monster on page one
Marco Bellocchio, 1972
Week 6 (26 February)
Macgregor Room
A ciascuno il suo / To each his own
Elio Petri, 1967
Week 7 (5 March)
Harris Lecture Theatre
Il caso Mattei / The Mattei affair
Francesco Rosi, 1972
Week 8 (12 March)
Harris Lecture Theatre
Todo Modo / One way or another
Elio Petri, 1976
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For further information, please contact italianstudies@area.ox.ac.uk
or visit our website, www.italianstudies.ox.ac.uk.